In 1935 the British magazine and book publisher Tomson-Leng produced a set of “Tarot Fortune Cards” that were given away to the readers of “My Weekly”—a women’s magazine. This unusual set of 79 cards (including this verse) is partly based on the Rider-Waite-Smith deck but with some significant differences, especially in the suit of Rods [Wands], which owe some of their symbolism to designs published by Eudes Picard in Manuel Synthétique & Pratique du Tarot (1909). The suits are Rods, Cups, Swords and Pence, which, according to Picard, correspond to Fire, Air, Water and Earth‚ respectively, which is why so many Swords cards have water and Cups cards have a butterfly as an air symbol. The Fool is numbered 21 and comes before The World.
This deck is also notable for being chaste and family-friendly with no nudity. The The LWB [little white booklet] is one of the most interesting and original works from this period, having spreads that I’ve never seen elsewhere. None of the spreads list individual position meanings. There are card interpretations for both upright and reversed orientations and often special meanings when the card appears near one or two other cards.
Here is a “reclaimed spread” from the 1935 booklet: The Eastern Cross Method
First, we should be relieved to learn that the tarot guided the destinies of an Egyptian king who used the Eastern Cross as his favorite spread. So, I think we can have full confidence in it 😉 .
To do it for yourself follow the instructions below (neither in this nor the other spreads does it mention asking a question, although the person for whom the reading is done is called The Questioner).
Select a Significator for yourself from among the sixteen Court Cards. Put it on the table face up.
- Shuffle the remaining cards and cut the deck into six stacks. They don’t need to be even.
- Take the top and bottom card of each stack and shuffle these twelve cards thoroughly.
- Lay them out, face downwards in the order shown in the diagram.
- Turn up only the four corner cards, numbered 9, 10, 11, 12.
- Read these cards in the order given.
- The other eight cards must remain hidden, otherwise all the favorable indications will be reversed!
Sample Reading
The question was “What will come of the project under consideration?”
Here are the book interpretations (click picture on right to make larger):
THREE RODS.—Below a dog’s head the rods form a triangle containing a mystical design. Below we see a woman seated reading a book. It foretells that you will make money in an unexpected way through the help of friends. If upside down, beware of making a mistake. If lying near The Fool you are warned against a scheming person.
WHEEL OF FORTUNE.—The lesson to be drawn from this card is that life goes on and on, just as the wheel goes round and round. The figures on the wheel represent steadfastness, mischief, and cunning. The four Tarot suits are shown in the corners. Special meaning to the Questioner—Life will have its ups and downs, but good fortune will come in due course. If next a Pence card this is one of the luckiest cards in the pack. Upside down—Good fortune, but very long delayed. [Note that the Wheel has the four suit signs in the corners rather than the symbols for the four fixed signs of the zodiac.]
THE FOOL.—A young man, richly dressed goes merrily on his way, blinded by the sun and unaware of the dangers that beset him. The dog is trying to attract his attention ere he steps to his ruin. This card must be taken as a special warning for the Questioner. There are temptations and dangers to be faced, but safety may be found by heeding the advice of someone with love in her heart. Upside down—Special danger from vanity.
KNIGHT OF SWORDS.—An armored Knight swimming with his horse in midstream. He has an upraised sword in his left hand and his helmet is on the river bank. This card signifies that you will have adventures. If near another Sword card it carries a warning to be wary of a dark, flattering man. You are advised to be careful in money matters.
I take the answer to be that this project has good financial prospects if I am wary of someone (a dark, flattering man) who may try to take advantage of me, and if I don’t mind some delays. I’m warned not to be too gullible, but to watch my step and accept the good advice of a friend. The woman in the Three Rods has a book, and it is a book project. A dog appears in three of the four cards (it looks like a dog ascending the Wheel) and he/she seems helpful in all cases, emphasizing that I can count on the wise instincts and faithfulness of a friend. The Knight’s helmet is on the river bank, which suggests again that I am vulnerable and should look carefully where I am going. The three upright swords (including the Significator’s) tell me to be boldly upright, honest, clear and rational in my dealings. I like the idea that this will be an adventure. Although there may be a few pitfalls, I can expect it to work out well, in the long run, if I am careful. Is there anything else I should take into account?
The question is—can you stand to not look at those eight hidden cards? It reminds me a little of the Bluebeard story. Let me know how your readings go and tell us if you really managed to not peek – or if you did, what happened?
15 comments
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July 16, 2009 at 10:40 pm
Andalusia
I’m not sure if this will ever have any relation to the spread per se, but when I first saw that Knight of Swords I was reminded of how hard & nonstop the downpour here is. The weather down here’s really depressing.
Hmm, maybe you could start the project after the next Mercury retrograde? Or if you already have, take some time out during that phase?
July 16, 2009 at 10:40 pm
Andalusia
Anyway, thanks for sharing that spread. I’ll go draw my own cards now. Hehe. I hope I won’t peek!
July 17, 2009 at 12:28 am
Helen
An interesting spread Mary, but one wonders why bother to draw those extra eight cards if your not allowed to look at them – wouldn’t it have made more sense to just have drawn the four?
Anywy have made a note of this spread – I don’t have this deck but I assume it could be used with any other tarot deck.
July 17, 2009 at 12:54 am
mkg
Helen – Good question. Sure it would be easier to not draw the extra eight cards, but easier is not what it’s all about. Older spreads often require involved processes for determining the cards to be read. They provide a ritualization of patterned movements that are supposed to take you deeper into an appropriate state of mind—like manipulating the I-Ching yarrow stalks—as well as their providing an air of mystery. With this spread, I find the challenge of not looking at the hidden cards to be intriguing in its own right.
And, please, use any deck you like.
July 17, 2009 at 2:39 am
Helen
Thanks for that wonderful explanation Mary! Of course ritual was so very important in those times, and still is today for some. I just never thought about it until you mentioned it.
I’ll certainly have a go at this one. Thanks again Mary. :O)
July 17, 2009 at 7:23 am
Tero
Mary,
I thought the spread looked familiar, and yes, Rolla Nordic has included it in her “The Tarot Shows the Path” (Weiser 1979, p.78). The text goes:
“Take out the Emperor or Empress to denote the consultant. Ask the consultant to shuffle the whole Tarot and then cut into six piles. Take the top and bottom card of each pile, ask the consultant to shuffle these and lay them out in the form of the eastern cross. (next the pattern, which is similar to the one you posted, only the cards begin at the position of card no. 4 in your post, going clockwise from there). Discard all the cards with the exception of the 9, 10, 11, 12 which you turn up and bring down each side of the Empress (or Emperor):
11 – 10 – Empress / Emperor – 9 – 12
11: Past, 10: Thoughts and condition of consultant, (Empress/Emperor: consultant), 9: Immediate future, 12: Outcome.”
Now I remember that I’ve tried this once (when I had just received the book), I think I couldn’t resist on turning rest of the cards face up 😉
The spread is definitely more ‘oracular’ when the positions haven’t got any definite meanings, in that sense the one by Nordic is then a bit simplified, maybe?
-Tero
July 17, 2009 at 10:39 am
mkg
Tero – What a good memory you have. Thanks for finding this other version of this spread. I’ll check and see if Nordic includes the other spreads from the Thomson-Leng booklet.
July 18, 2009 at 4:43 am
Little pig
How Fascinating that the cards themselves become part of the structure on which your “fortune” stands!
July 19, 2009 at 6:27 pm
Erin
Very interesting spread!!! I will have to try it. Does make you wonder what the other cards could mean? But an interesting pattern to have the cards you read on. Thanks, Mary for another way of reading the cards.
July 20, 2009 at 1:49 pm
Carolyn
Greetings, Mary! Thanks so much for the spread. I am so intrigued with the idea of not turning over cards and how this represents what we cannot know, especially when we are going through / exploring some type of change. I blogged out it over on my site, too, with a link back to you. Be well, Carolyn
July 20, 2009 at 6:59 pm
Mary
Well, this one was certainly intriguing. First of all, what a wonderful little acquisition; I’d love to see the deck in real life! (Maybe you can tuck it away and bring it to Readers Studio 10 next year!)
So – I did try this lay-out, and I thought it was fun and that it rather enhanced the general appearance of the spread (nice visual and a little extra hoopla for a Questioner to enjoy). I thought I would be tempted to turn over the unseen cards, but then I thought, well, how tempted am I ever to turn over the cards in a deck that didn’t turn up in a reading? Never! So why would I now?
I like it!
July 25, 2009 at 1:03 pm
Andrew McGregor
I love the idea of what is hidden staying so. I feel like there is more to find in this approach. What if only the reader looks at some of the cards? What if they were recorded and shared later? I think it could provide some interesting ways to help people realize more about themselves and their processes.
hmmmm more on this to come.
Andrew
October 24, 2012 at 2:14 pm
Change and the Unknown » Carolyn Cushing | Art of Change Tarot
[…] Greer has an interesting post on her blog about a 1935 deck and one of the Tarot spreads included in the little instruction book accompanying […]
August 25, 2020 at 2:45 am
Thomson Leng, where have you been all my life? | "fate keeps on happening"
[…] The reproduction includes spreads from the original instructions. Here’s one that Mary Greer blogged that looks fun: it has cards you can’t look at or “all the favorable indications will be reversed!” https://marykgreer.com/2009/07/16/the-eastern-cross-spread-thomson-leng-deck/#more-1755 […]
September 26, 2020 at 12:22 am
Stella Waldvogel
Hi Mary – Reviving this 11 year old conversation because I have a question. Since I’ve been getting into this deck, I’ve been reading up on Picard’s views and while I’ve found all the translated bits, none of them address his reasoning behind assigning Swords to water and Cups to air.
I found an old reddit thread where you said Swords are water because they’re tears. So simple and elegant that it never occurred to me! And what I need to know is the reasoning behind the Cups-air association.
I’m going to have to break down and read Picard himself. “El tarot: manual sintético práctico” most likely, since Spanish is easiest for me. I still expect to be typing most of it into google translate, my work is cut out for me.
But in the meantime it would be great to have a better understanding of his elemental correspondences.
Thanks – and may Nov. 3rd be auspicious!