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Have fun with tarot this summer at the Omega Institute “Masters of Tarot Conference” in Rhinebeck, New York, July 19-21.

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Then deepen your experience by staying on for Rachel and Mary’s 5-day “Wisdom of the Tarot” workshop July 21-26. Discount available if you register for both.

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Carl Jung developed several techniques for establishing a productive relationship with the unconscious mind. Foremost among them, according to Jung himself, was Active Imagination. It involves conscious participation in the inner world of imagination or fantasy, and it becomes a means of communication and negotiation between the ego and the unconscious. Active Imagination lets our unconscious perspectives and desires be known – to be seen, heard and experienced. It has marked differences from similar practices such as guided imagery, creative visualization, hypnosis, some spiritual meditation, and magical scrying and pathworking.

What makes it different than Jung’s other psychotherapeutic techniques is that Jung felt active imagination had to be done by oneself. Being able to discuss one’s experiences with another was helpful but not essential unless one experiences panic over what is found in the inner world, has difficulty differentiating between the inner and outer, or lets beings in the inner world take over one’s life.

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Both Tarot and Jungian psychology take as their central maxim the words of the Oracle at Delphi, “Know Thyself.” The deepest purpose of Tarot, as with Jungian psychology, is to know one’s true self that lies beneath the veneer of family upbringing and social conditioning. To do this, both focus on an interpretation and understanding of the projections that both humanity in general and individuals make via images. 

In the years since Jung served as a pioneering explorer of the psyche through what he first called fantasy and later came to call active imagination, various human development and magic(k) groups evolved a variety of forms of inner work. None are precisely the same although each can benefit, to some extent, by learning from the others. Still, there are unique characteristics to each.

In my latest webinar on a Jungian approach to Tarot, which you can still join, I’m focusing on Jung’s Active Imagination. This blog post is an excerpt from that course. Get a broader perspective on Jung and Tarot at my workshop at the Northwest Tarot Symposium in Portland OR on March 1, 2019.

  1. Active Imagination (AI) is goal-less! But not purpose-less. Generally the other techniques have a specific goal or result for each inner “journey.” AI seeks a transcendent, integrative function of bringing the conscious and unconscious into relationship.
  2. AI minimizes “guiding” to allow whatever comes and to receive it as real and without judging or editing it during the experience. Other forms often seek to replace distressing images with preferred ones, especially with images or suggestions that will facilitate a desired change or objective.
  3. AI does not focus on interpretation, as with Jung’s other techniques, but rather on understanding and insight.g%8WerahQhioQ+SVSq%pVQ_thumb_5516
  4. In AI one remains alert and keeps the focus on the first image that appears spontaneously rather than letting the scene morph and change as it will.
  5. In AI the individual is always present in the scene and active, coming into relationship with the beings that appear, to converse and interact with them, rather than viewing the scene passively as with a film or from a distance.
  6. In AI the images and interaction with them are prevented from sinking back into unconsciousness through some form of creative expression: usually drawing, painting or writing what has occurred.
  7. While images from the unconscious may evince a numinous or spiritual quality, they are to be taken as aspects of the person’s psyche rather than as divinities, spirits, ancestors or living beings. 
  8. AI requires that subsequent to the direct experience, human moral and ethical evaluations are made and that some action be taken to make one’s learning and ethical obligations concrete in the physical world.

The key to Jung’s view is that one’s imagination or fantasy can become a personally active encounter resulting in self-awareness along with moral and ethical obligations on which to act in the world. Take my webinar course and learn to use Active Imagination in conjunction with Tarot. Or come to NWTS 2019 for “A Jungian Approach to Tarot.


First and third photographs were taken by me at Nikki de Saint Phalle’s Tarot Garden in Italy and modified by me. The middle photo of me was taken by Marcus Katz at the Castlerigg Stone Circle in Keswick, Cumbria and modified by me.

 

Linda Marson, author of the groundbreaking Ticket, Passport and Tarot Cards brings us her new multi-media package for personal guidance and insight using TarotNav: A GPS for Life.

FlashDriveTarotNav arrives in the form of a flash drive/memory stick or you can direct download the files to your computer or device. Through videos, personal stories, and text, Linda offers an excitingly innovative learning experience that will help you gain deep meaning from life experiences and get direction for future endeavors.

Imagine a world in which everything has a meaning, your adventures serve a deeper purpose and Spirit speaks directly to you through a set of picture cards. Each day becomes its own adventure. Discover what way to go when your path forks. Know that detours present challenges to strengthen resolve and reveal things you might have missed along the way. Examine your baggage to see what can be discarded. Find your destiny in your goals.

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Linda speaks from her own vast experience. She has been making travel films and leading spiritual journeys around the globe for nearly 20 years. If anyone is said to “follow their intuition” it is Linda. As former President of the Australian Tarot Guild she focused on making connections among teachers, students and professional readers nationally and internationally. More recently she has brought all her interests together through activities featured at her Global Spiritual Studies website. You’ll find courses taught by the best teachers in their fields, and tours to sacred sites that will transform your life.

TarotNav literally shows how to use tarot as a guidance system. The multi-media package contains a set of 22 short videos with example readings based on real journeys, an e-book of card meanings, a sheet for recording your readings, and an extra video on the Celtic Cross Spread. The card meanings focus on life as a journey from new beginnings to goal completions and letting go. Reversed cards show where there may be resistance and where issues haven’t been fully resolved.

I highly recommend this program as a way to learn how Tarot can be a guide on your personal journey and a key to turn your daily life into a spiritual adventure. Get information here, where you’ll find sample videos and a look at the whole package.

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Join us August 3-5, 2018 for the Masters of the Tarot conference at the Omega Institute in Rhinebeck New York. This year Rachel Pollack and I join with three outstanding Tarot teachers for a weekend of fun and deep learning: Melissa Cynova, Liz Dean and George Koury. Watch for our interviews with everyone over the next two weeks.

Melissa CynovaI am pleased to begin with Melissa Cynova. She is the author of a recent book that has made quite a splash, Kitchen Table Tarotand has a popular website and blog at Little Fox Tarot. We are so excited to have her as one of our presenters.

Mary: What is it about Tarot that most intrigued you and first got you hooked?

Melissa:​ ​When I was little, I always felt like a weirdo. I would wander around in the woods by myself, looking for fairies (like you do). I was constantly reading fantasy books about witches and wizards and magic. When tarot came along at 14, it felt like an active, alive piece of magic that I could hold in my hands. I was still weird! But this was a weird that I could learn and make choices with. It gave me a way to connect to people, and still be myself. Also, it was really cool!

Mary: Weirdly cool!—I agree. Your website and blog at LittleFoxTarot.com is very popular and earned you a loyal following even before your book Kitchen Table Tarot came out. It seems to me that Tarot has been going through some pretty radical shifts over the recent 10-20 years. What shifts have you noticed and what do you think is most important for both newbies and experienced readers to know and learn in order to take advantage of what’s happening now?

Melissa: ​I’ve been playing with the cards for almost 30 years, and the thing that I’ve noticed the most is that it used to be shrouded in some kind of secrecy. “Don’t buy your first deck, it has to be gifted. You have to put the cards under your pillow to absorb their full meaning. You have to shuffle three times into your left hand!” There were all of these whispered rules that followed it around. Since I didn’t know better, I followed them. I thought that you had to achieve a certain level of woo-woo mysticism to read cards, and follow the “old traditions”. I think that the advent of the internet showed us that most of those whispered secrets are complete nonsense. I know tarot readers who shoplifted their first deck back in the day, rather than risk buying it. Most of my clients today buy them online and look for decks that appeal to them.

​I love that level of freedom and accessibility. Anyone can pick up any deck of cards and get started on this path. You can shuffle into whatever hand you want (or not at all) and your readings are still valid. I think it lends confidence to the new reader, which will then translate into their readings. Fantastic.

Mary: Just before my mother died she mentioned her grandmother read playing cards for visitors at their kitchen table in New Orleans. I love that you wrote a book about your kitchen table experiences teaching and reading tarot. No fuss, perhaps a bit of muss – of the best kind! What would you like to bring from your kitchen table into the Masters of Tarot Omega weekend to turn it into a similarly welcoming and supportive environment?

Melissa: It’s so funny that you asked that! I was talking about the book with my friend, Terry Iacuzzo, and she told me that her mother used to read playing cards at their kitchen table in New York! She said that I reminded her of her mom—making tarot accessible and easy to understand—just like we were sitting at the table and talking. It was the best compliment I think I’ve ever received, professionally, and inspired the title of the book.

​At Omega, I’m going to be talking about ways to simplify the questions that people bring to the cards, and teach some simple spreads to help them interpret the answers. I want folks to come out of our class confident that they—and they alone—can hit a reset button on any part of their life that needs it. ​

Mary: Thank you so much, Melissa. It’s been an honor talking with you. I can hardly wait for your common sense and de-mystifying presentation and exercises at Omega in August. I know they’ll be a hit.


Follow up with a 5-day intensive workshop with just Rachel and Mary: The Neverending Tarot. Discount available when you sign up for both. Info here.

Read a recent interview with another one of our presenters, Liz Dean, at The Wild Hunt Pagan News featuring a discussion of her new Game of Thrones Tarot.

This spring I am again involved in Magical Tarot tours of the British Isles. But I want to speak here about communing with the land, which we will focus on even more on this year’s journeys to “Sacred Scotland” and “Merlin’s Britain.” These are things you can do in your own community as well as sacred sites—a city park can be as good as a meadow or forest. Even buildings have their energies and stories. Your intention may be to gain knowledge about nature, the land or the place: past, present or future. Or you may be on a quest for personal insight. I’ll mention just a few of my favorite methods that can be used separately or together.

FINDING A POWER SPOT

Go to your place of engagement. 

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With or without shoes, move slowly, with your intention in mind, using your breath to enter a meditative state of open awareness. 

Open all your senses and try to determine a flow or confluence of energies. This energy focus may be found in trees and plants or landmarks or even sounds or air flow. Some people use kinesiology, a pendulum or dowsing rods to assist them.

One time I was walking by a forest stream with many little waterfalls and found myself going back and forth until I came to the exact spot where all the ambient sounds seemed to join together equally in perfect balance and harmony. O Ecstasy of the spirit!

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A second example was following a nighttime ritual inside the Egyptian Step Pyramid at Saqqara. Standing in the outer temple complex I walked around until I found myself triangulating a position at the juncture of the energies of the pyramid and two other structures. Once I found it, I looked up and the full moon was, just at that moment, cresting the top of the pyramid, resting on its point. When this kind of magic happens I quietly express my gratitude and try to enter into oneness with the place.

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Dowsing for Pamela Colman Smith’s grave in Cornwall

YOUR TAROT GUIDE

Take the Major Arcana from your favorite Tarot deck to a place that intrigues you. You’ll probably want an intention in mind. For instance, you may ask to be guided to a power spot or to receive information about the place or its history, or to get insight regarding a personal concern. Get comfortable. Select a Major Arcana card as your guide either randomly or by conscious choice. If in doubt, select the Hermit.

Gaze at your card until you can recreate it in your mind’s eye while speaking your intention. Close your eyes and breathe in the place while asking your guide to come to you. What appears in your mind’s eye may or may not look like a figure on the card. If it doesn’t, then ask if it is your Tarot guide or sent by your guide. Once a figure is affirmed, ask for guidance regarding this place or the knowledge you seek. Be sure to thank and release this guide and return fully from the parallel astral world in which you met.

NATURE AS ORACLE

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Communing with the central Boscowen-un Stone

Select a special rock, piece of plant or wood, or other object (I’ve done this with trash found on my walks!). If possible, hold or touch this “other” and speak aloud. Describe it as thoroughly and objectively as you can—no metaphors or symbols—but rather colors, shape, texture, smell, even taste—all the concrete and subtle details. Next, describe its energy affect and attitude. Is it distant or welcoming? Open and yielding or harsh and inflexible? Whimsical or practical? Or some combination of things? Ask if you can enter into it (the “it” is now a “thou”) and, if you receive an affirmation, then become this other being, stretching or compressing yourself into all it’s nooks and crannies. Let your human self ask this nature-being your question and let it speak what it has to convey. Express your gratitude and remain a few moments in that place of emptiness that follows purpose, for the greatest gifts often reside there.

 

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Diving deep into the roots of Avebury

Check out this video by Martin Shaw. Although a promo for his new book it is really an inspiration for walking the hills with consciousness. https://youtu.be/d0T7UP1U1Ts. Thank you, Carrie Paris.

I invite you to join me, Linda Marson of GlobalSpiritualStudies and Jamie George of Glastonbury’s Gothic Image Books and Tours on our special journeys this coming May. Register now to get special rates, information and view fabulous videos in the links below.

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Tarot Magic in Sacred Scotland – 14 May to 23 May, 2018
Tarot Magic in Merlin’s Britain – 23 May to 1 June, 2018
London Workshops with Mary Greer and Linda Marson – 12 & 13 May, 2018
Linda Marson’s Tarot Nav: GPS for Life, courses
Interview with tour leader extraordinaire, Jamie George

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Announcing two Tarot Tours this coming summer in the British Isles. Last year’s trip, Tarot Magic in Merlin’s Britain, sold out early. We are doing it again, with a Tarot trip to Sacred Scotland preceeding it, and a discount if you go on both. Don’t let these journeys pass you by! Sign up before the November 30th deadline. Above is a photo of our private full moon sunrise ceremony in the circle at Stonehenge.

Just two weeks ago I discovered that the hotel where we stayed while searching for Tarot artist Pamela Colman Smith’s burial place, was a hotel she actually stayed at as a young woman. It was in 1897, the year King Arthur’s Castle Hotel opened, with its magnificent roundtable at which we did readings, that Pamela met Henry Irving of the Lyceum Theatre fame. Subsequently she toured with the Lyceum Theatre and designed costumes and sets, getting her nickname, Pixie, from her foster mother, the actress Ellen Terry. Here is what is now called the Camelot Castle Hotel in Tintagel, with Merlin’s Cave in the far bottom right.

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I can’t begin to tell you all the amazing things we encountered on our journey: sacred wells in out of the way locations; stone circles, several of which we had to ourselves; the special fairy glen; a ritual on a hilltop labyrinth; Glastonbury Tor and Chalice Well where Dion Fortune made her home. IMG_2104One of the most magical moments was our using dowsing rods to find what we believed was Pixie Smith’s unmarked grave. Linda dropped her pendulum, hearing it fall. We searched for it in vain, only to have the bus driver when we returned ask who had dropped a pendulum on the bus. It was Linda’s. That night at the Camelot Castle Hotel we used the pendulum to ask Pixie questions about her life – and it was months later that I discovered from one of her letters that she had probably drunk her favorite “Opal Hush” drink in that same bar 120 years before.

The Tarot Magic in Sacred Scotland Tour is

14-23 May 2018

and will feature Tarot readings in sacred sites for gaining insight into your own spiritual journey…readings whose messages will continue to unfold for years to come. Experience:

  • Inverness and surrounding area – Prehistoric Clava Cairns and standing stones, Rosemarkie Fairy Glen, Loch Ness
  • Orkney – Skara Brae, Maes Howe, Stones of Stennes, Ring of Brodgar, archaeological dig on the Ness of Brodgar
  • Iona – Abbey, Nunnery, St Columba’s Chapel
  • Standing stones at Kilmartin.

More information: https://globalspiritualstudies.com/travel/sacred-scotland/

The Tarot Magic in Merlin’s Britain Tour immediately follows on

23 May – 1 June 2018

and takes us to:

  • Stonehenge
  • Avebury and West Kennet long barrow
  • Glastonbury and surrounding area – Chalice Well, the Tor, Glastonbury Abbey, Cadbury/Camelot
  • Tintagel and surrounding area – Tintagel Castle, Merlin’s Cave, St Nectan’s Glen
  • Boscastle – Museum of Witchcraft and Magic
  • South Cornwall – Boscowen-un stone circle, Merry Maidens stone circle, holy wells of Madron and Sancreed.

More information: https://globalspiritualstudies.com/travel/avalon-to-camelot/

Watch this video of our trip, created by Linda Marson, to catch just a little of the magic: 

 

Linda Marson: Internationally renowned Tarot author and teacher, Mary K. Greer, whose interest in the deck has led her down the path of teaching Lenormand, is a firm believer in the value of the traditional method. She’ll be teaching classes in Lenormand and the Tarot Court in Brighton UK, June 17 & 18, 2017. Click here for information.

Here I talk with Mary about the difference between a traditional and intuitive approach to reading the cards. First up, a reminder of where the cards originated.

Mary K. Greer:  The Petit Lenormand is a deck of 36 fortune-telling cards featuring simple images like a dog, house, and anchor. It first appeared in the 1790s in Germany, and was redesigned in 1845, soon after the death of the French fortune-teller, Mlle. Lenormand. The German publisher simply co-opted her famous name for promotional purposes as was common with occult and fortune-telling works. Although Mlle. Lenormand used a variety of card decks, she never created her own nor did she pass on her reading methods. Used primarily in Germany, Belgium, the Netherlands, Eastern Europe and France and known in the United States in the 19th century, Lenormand cards didn’t achieve the wide-spread popularity in English that Tarot did until very recently.

Linda: What is traditional Lenormand?

Mary:  The Lenormand deck originally came with a single sheet of instructions containing specific card meanings and a single spread using all the cards. Translated into half-a-dozen languages, this sheet was included with every deck until quite recently. The pictures are emblems with specific meanings, rather than symbols with infinite ones. Thus, the meanings and method are clear, well-known and still used today. These meanings focus on general areas of danger and difficulties and of pleasure and success in one’s mundane life with no metaphysical content. They best address questions about what has, is, or will happen, like the plot of a story. Among other things, they can also help with describing people and finding lost objects through identifying particular clues to look for.

Tarot, by contrast, was originally a card game. Divinatory meanings, techniques and occult symbology were added nearly 350 years after its creation. There are significant variations according to different authors. Each symbol on a Tarot card can have an infinite number of references held together by a broad, allegorical theme. Tarot is used as much or more for spiritual guidance and personal development as it is for fortune-telling.

Linda: I’ve heard a lot about so-called traditional Lenormand versus intuitive Lenormand. What’s this all about?

MaryAt heart is the idea that one can either read the cards by following a rigid system or by using the cards as a trigger to one’s own intuitive impressions or psychic messages. Psychic messages come from an external, non-physical source. Pure psychic (extra-sensory) information doesn’t need an external tool, except, perhaps as a focus, so one isn’t really “reading Lenormand.”  Traditional and intuitive approaches aren’t mutually exclusive. The best traditional readers are intuitive!

Intuition, which is based on an instantaneous leap or perception of a meaning or pattern based on the sensory evidence and experience, benefits from knowledge about the tradition, which limits possibilities and lends precision and concreteness to an answer. Personal assumptions, bias and opinions can easily be taken for intuition, so a cross-check mechanism is beneficial. Intuition works best when it perceives patterns in the data laid before one; prior knowledge helps you see relevant meaning in those patterns. Like learning a foreign language, at some point you forget the rules and individual words and find yourself speaking fluidly.

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Cards from a Russian deck: the Lilac Twilight Lenormand.

Most traditional readers are very intuitive. Once you know the meaning and methods of the cards you can see at a glance what the cards are saying, plus you can double-check your insight by briefly reviewing the roots and, in larger readings, checking other cards related to the question to see if there are counter-indications. Furthermore, other traditional readers are likely to draw the same conclusions—you speak the same “language.” I saw this happen when a friend and I were looking at her Grand Tableau at a conference. Over two days we asked several different Lenormand readers (who had learned independently of each other) what they saw, only to have them report almost identical observations.

I’ve followed hundreds of personal readings in on-line study groups and found that the majority of interpretations reported as accurate were by traditional readers. Whereas those who confessed they were just saying what they “felt” were rarely spot on. Additionally, these “intuitive-only” readers often answered predictive questions (“Will I pass the exam?) with advice rather than a prediction, a teaching rather than a description. For instance, instead of seeing indicators of whether the querent would pass the exam or not, the intuitive reader might say, “I feel you’re over-stressed and not getting enough sleep. Have some camomile tea tonight and know that you’ve done everything necessary to get the result you really want.” It’s nice advice, but it doesn’t answer the question, and may have little or nothing to do with the traditional meaning of the cards.

The traditional method of reading Lenormand is to read all 36 cards in a layout known as the Grand Tableau. Modern traditionalists often use shorter layouts that are segments of the Grand Tableau, allowing one to focus on a very specific question, using a specific syntax for clarity. Cards modify other cards according to explicit rules. Intuitive-only readers tend to go with their “impression” of whatever strikes them most strongly. Or they may favor Tarot-like spreads where each card is interpreted separately in terms of its position meaning. There’s a tendency to see the good in negative cards and to seek a positive outcome or perspective. Traditional Lenormand, on the other hand, can sometimes be quite harsh, telling one definitively what he or she didn’t want to hear.

Linda: Can you give me an example of a traditional interpretation?

MaryI’ll go one better and compare three approaches. I’ve posited the querent as a man who wants to know “Should I hire this particular applicant for a job opening?” Three cards were drawn at random:

8-Coffin – 15-Bear – 28-Man

From Madam Morrow's Fortune Telling Cards (New York: McLaughlin Bros., 1886).
Madam Morrow’s Fortune Telling Cards (New York: McLaughlin Bros., 1886).

Original Tradition Reading

The Man card always refers to a male querent. (If the querent is female, Man is her significant other). The first card on the left is the subject. Coffin means illness, financial loss, endings. The nearer Coffin is to the person (Man) the more serious the situation is (here it is very near!). Bear means good fortune but cautions against envious persons. Being right next to a strongly negative card of loss (Coffin+Bear), Bear says the querent should be cautious of an envious person who has recently experienced great loss. We look at the cards both as a sequence, in terms of what modifies what, and also as three pairs:

  • Coffin+Bear: sickness; envy and jealousy. The applicant may have experienced his own loss: of a former job, money or health. 
  • Bear+Man: the querent’s good fortune creates envy in another (Bear is modified by a negative card). 
  • Coffin+Man: a recent loss on the part of the querent. Coffin could indicate a simple “no, don’t hire the person” but might also point to the fact that the loss of one employee has necessitated the hiring of another.

Answer: “No; you are cautioned against hiring this person.”

Modern Tradition Reading

Modern referents have been added to the traditional ones in order to fill in the gaps and make the cards a little more concrete. But, while some variations occur, the core meanings should always show through.

Man is still the querent. Cards to the left of Coffin show what is lost (money, health, etc.), while cards to the right may indicate a new beginning. (Modern thinking has added the meaning of box or container to Coffin but that’s not applicable here.) Bear has accrued meanings of strength, power, authority and stored money (invested or saved), while keeping the warnings about envy and jealousy. He appears “hungry following a loss.” Additionally Bear can indicate one or both parents or grandparents (among other authority figures). Given a different question these cards might point to the loss of a parent; it’s worth checking. The subject is still Coffin; the next card modifies the subject, like an adjective, indicating financial loss or loss of strength. The Man (querent) needs to be careful as this new applicant is not a good risk. At worst, he might embezzle money from the firm or try to overpower the querent (be “overbearing”).

Answer: “No; this applicant could cause problems for you and the company.”

From the Piatnik Lenormand Cartomancy Deck
From the Piatnik Lenormand Cartomancy Deck

We can see that the modern traditionalist has a little more latitude for interpretation and the possibility of richer details of which an intuitive person can make much. Someone who really knows their core meanings can easily check the story they’ve intuited against the original meanings for verification.

Intuition-only Reading

This could go so many different ways, yea or nay depending on the story being told, so here’s just one possibility.

Answer: “Since the company lost an employee (Coffin), you now have an opening for someone new (Coffin is in the past). Bears are strong, powerful and this applicant has appeared at just the right time to fill the opening. Bears can be very protective and take care of their young. He’s authoritative and, since Bear means money, he will bring lots of money into the firm. He’s a good investment for you. It’s like you’re closing the door on the past and someone strong is coming in. See, your losses are over. We see him (Man) at the end arriving at the office for his first day at work.”

This person knows some meanings for the cards but not all of them; it’s kind of hit-or-miss, but once a story element is discerned it tends to be elaborated upon; subsequent elements are fit into that original scenario, like the wicked step-sisters trying on Cinderella’s shoe. Emphasis is on the cards by themselves in past, present or future positions, rather than modifying each other. At times the card’s art is scanned for symbolic possibilities. The tendency is to “over-answer” the question and try to convince with too many details.

A traditional short reading requires a quick survey of card keywords, integrating them into fresh concepts according to a syntax or structure, to determine a succinct, specific, concrete answer to the question. In addition to a full Grand Tableau, Lenormand works well as an adjunct to Tarot where a quick Lenormand layout can clarify things that came up in the Tarot reading.

Linda: How does one become a traditional reader?

Mary There are both websites and online study groups at Facebook (search on Lenormand) and several recent books in English (check Amazon for books and decks). Or, best yet, take my introductory course in Brighton UK on June 17!  

Finally: practice, practice, practice.

Agatha Christie’s detective, Miss Marple, said she solved crimes by recognizing the characteristics of people she knew well from her own small village.

Come to my June 18 class on the Court Cards to hone your skills (details at the end of this post).

What if each of the Court Cards was a suspect in an Agatha Christie murder mystery? Why don’t we call it, Murder at the Tarot Symposium! Sixteen is a lot of suspects, so let’s whittle down the possibilities. That’s easy because it’s one of the Court Cards who’s been killed. I shuffle my deck and the first card off the top is the Queen of Cups reversed. Sorry, Isabella Donati. It seems you fell down a steep flight of stairs (3 of Pentacles is the next card), right in front of two of the Court Cards, the Queen of Wands and Knight of Swords who were standing at the bottom of the stairs. They saw a hidden figure stick out a booted foot forcing the lovely Ms. Donati to fall. That leaves thirteen suspects.

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Four teenagers, the Pages, who were newbies at this symposium, were at that moment being admonished by the Queen of Swords for bad-mouthing one of the presenters (9 of Swords). So that’s five more who are out, leaving eight.

The King of Cups reversed was in the bar – drunk as usual, telling his maudlin story to a High Priestess. Meanwhile, the Knight of Cups tried to extricate himself (8 of Swords reversed) from a lecture on the “true” history of Tarot by the argumentative, know-it-all King of Pentacles (5 of Wands). 

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That leaves five.

The King of Wands is followed by the Ace of Cups. He’s a passionate man who carried a torch for the beautiful and dreamy Queen of Cups, although she hardly deigned to take her eyes off her tarot deck to look at him. Hadn’t he offered to get Ms. Donati a cup of water?

The King of Swords, described by the 6 of Pentacles, was dispensing his definitive opinions to the vast unwashed masses via a podcast, so he’s out, isn’t he, or was the podcast pre-recorded? He didn’t like that students preferred Ms. Donati’s intuitive skills to the logic of his teachings.

The Knight of Pentacles reversed is a tee-totaler (4 of Cups reversed), supposedly off meditating in the retreat room. But I think a gift he’d brought Ms. Donati had been rebuffed.

The Queen of Pentacles reversed was doing voice exercises (Judgment) before her presentation on coming out of the closet as a tarot reader. Hadn’t she called out the blond-haired Ms. Donati in the past for being too blatantly revealing?

Last of the 16 and represented by the final two cards in my shuffled deck, the Knight of Wands, although young and impulsive, had considered Ms. Donati to be his special mentor (Hierophant). He had recently run off when he found her tutoring others. 

Who do you think murdered Ms. Donati, the Queen of Cups? And why?

I’ll be teaching workshops in Brighton, UK on 17-18 June, 2017, including a Court Cards class and a Lenormand class. If you are in England at that time, you won’t want to miss these experiential sessions where we seriously learn as well as have fun! I hope to see you there. Sign up now at GlobalSpiritualStudies.com

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What, you might ask, does the Cornwall of Merlin’s Britain have to do with the Tarot? And why am I leading a tour there? To join this unique tour, sign up by January 31, 2017 at Global Spiritual Studies.

Pamela Colman Smith, artist of the Rider-Waite-Smith deck died in Bude Cornwall, just north of Merlin’s Tintagel, in 1951. Smith owed a considerable sum of money so that all her possessions, including her artwork, was sold at auction to pay the bills. Prior to living in Bude she lived at the far end of Cornwall in a place called The Lizard, where she ran a vacation home for Catholic priests. Waite, Smith, Merlin and even King Arthur all share a major part of Britain’s magical past, with their stories converging in Cornwall and Glastonbury, which we will explore on this tour.

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H. J. Ford

We will visit Tintagel Castle, the birthplace of Arthur that came about through Merlin’s magic, and the supposed burial place of Merlin. We even hope to find the lost burial place of Smith herself.

‘Marvellous Merlin is wasted away
With a wicked woman:–woe might she be!
For she hath closed him in a crag
On Cornwall coast.’

The Death of Merlin by Ernest Rhys (1898)

The Minor Arcana of the Tarot by Pixie (her small stature and dark coloring led her to declare herself of fairy blood) is in a style quite different from that of the Major Arcana. A look at the late 19th and early 20th century Arthurian and Grail artists depicted in the University of Rochester’s Camelot Project, demonstrate that the Minor Arcana is of this artistic tradition. Could there be a reason for this? I believe so, as stated by Waite himself when he wrote that the Ace of Cups (the Grail) “is an intimation of that which may lie behind the Lesser Arcana.” Waite also named the Knight of Swords Galahad. This should not be surprising as the same year the deck was published also saw publication of Waite’s book, The Hidden Church of the Holy Grail. This work features a chapter titled, “The Hallows of the Graal Mystery: Rediscovered in the Talismans of the Tarot,” specifically on the Minor Arcana of the Tarot (each suit is one of the four Grail “Hallows”) with no mention of the Majors! On the tour I will reveal how Waite envisioned the Minor Arcana as rough outlines for a quaternity of ritual pageants depicting a great Spiritual Loss, while the Major Arcana represent the path of Mystical Attainment that’s at the heart of the story of Glastonbury and Cornwall. Come join me, Linda Marson of Global Spiritual Studies, and tour guide and author extraordinare, Jamie George, of Glastonbury’s Gothic Image Bookshop and publishing house, on a tour you’ll never forget.

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Florence Harrison

 

 

JungTarotJoin me for a two-part Webinar featuring a Jungian approach to Tarot on April 7 & 21, 2016.

I am very proud to present the most complete version yet of material I’ve been developing for nearly fifty years on Carl Jung’s theories of the psyche and personal development as applied to reading Tarot. I’ve taught related workshops at the Jung Institute of San Francisco and at several Tarot conferences. This two-part course will be an expanded exploration of Jung’s concepts with the 2nd part being entirely new, to demonstrate exactly how to use these concepts in readings for one’s self and others. I’ll focus on the Rider-Waite-Smith deck as one example of how perfectly the Tarot depicts archetypal images from the collective unconscious. To register, visit globalspiritualstudies.com.

Class one: Symbolism in the RWS Deck

Jung wrote about Tarot on several occasions, seeing it as depicting archetypes of transformation like those he found in myths, dreams and alchemy. He described its divinatory abilities as similar to the I-Ching and astrology, and late in life established a group who attempted to integrate insights about a person based on multiple divination systems including Tarot.

In this informational class Mary:

  • presents some of Jung’s own ideas about Tarot
  • shows how his map of the psyche is reflected in the cards
  • demonstrates how the “Fool’s Journey” parallels Jung’s all-important “individuation process.”

Class two: Methods and Spreads

In this workshop, Mary demonstrates how Jung’s psycho-therapeutic approach applies to actual readings and “inner work.”

  • Learn how to apply Jung’s technique of “active imagination” to Tarot.
  • Explore a couple of spreads that serve as mirrors of the psyche and show challenges and breakthroughs in the individuation process.
  • Bring a Tarot deck as you’ll also draw cards for at least one Jungian spread for yourself.
  • Discover how a Jungian approach can deepen your personal insights into the cards.
  • Learn how to assist another with their inner work.

Mary also discusses the pitfalls and the boundaries required when a Tarot reader utilizes this material.

This course is open to all levels of Tarot experience, although some knowledge of the cards is suggested.

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Mary K. Greer has made tarot her life work. Check here for reports of goings-on in the world of tarot and cartomancy, articles on the history and practice of tarot, and materials on other cartomancy decks. Sorry, I no longer write reviews. Contact me HERE.

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