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Part I: Skeptics, Mentalists and Tarot Readers

mind-readingFor purposes of this article let us assume that there is no paranormal or spiritual aspect to tarot readings. Let’s pretend, for the moment, that all tarot readings have a rational basis in easily explained normal human skills.

Skeptics and mentalists reduce tarot reading to just this level. Mentalists utilize skills to make money in public performances, while skeptics denounce any tarot or psychic readings that don’t acknowledge they are merely mental tricks.  They claim “pseudo-psychics” exploit human weaknesses and take advantage of the desire to easily gain benefit from something. Pseudo-psychic readings are seen as “too-good-to-be-true” and as giving false hope just to make money. Skeptics claim that psychic and tarot readings can be explained by techniques gathered under the terms Cold and Hot Readings. We will ignore hot readings (that fraudulently use information obtained ahead of time) as our purpose is to examine readings where nothing prior is known about the client. Read the rest of this entry »

 

Pamela Colman Smith (also known as Pixie), artist of the Rider-Waite (Smith) Tarot deck, wrote nothing about the deck she created except in a letter to her mentor, Alfred Stieglitz, “I just finished a big job for very little cash!” She did tell us, however, in an article called “Should the Art Student Think?,” what must have been her own approach to reading the cards. This is the core of my own reading style.

“Note the dress, the type of face; see if you can trace the character in the face; note the pose. . . . First watch the simple forms of joy, of fear, of sorrow; look at the position taken by the whole body. . . . After you have found how to tell a simple story, put in more details. . . . Learn from everything, see everything, and above all feel everything! . . . Find eyes within, look for the door into the unknown country.”*

Essentially, she’s suggesting the following steps:

  • Describe the card literally.
  • Describe what seem to be the emotions, style and attitudes of the people on the card.
  • Physically embody the card—act it out.
  • Make up a story about what’s happening and turn it into a first person account (so you are feeling everything yourself).
  • In your mind’s eye, step over the border of the card (through the door).
  • Enter into that world, seeing beyond the borders to things you never knew were there.

In my opinion, this is the best way to discover what these cards mean for you in any situation.

*“Should the Art Student Think?” by Pamela Colman Smith in The Craftsman 14:4 (July 1908), pp. 417-19. Read the article here. See also my post on the Art of Pamela Colman Smith.

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Mary K. Greer has made tarot her life work. Check here for reports of goings-on in the world of tarot and cartomancy, articles on the history and practice of tarot, and materials on other cartomancy decks. Sorry, I no longer write reviews. Contact me HERE.

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